Alpine Strawberries Have a Sweet History

Reader Contribution by Cindy And Stephen Scott
Published on February 6, 2017
article image
by Unsplash/Julian Hochgesang

Alpine strawberries have captivated our taste buds for a very long time. They are tiny yet highly aromatic and hugely flavorful ancestors of our common strawberry. Archeological excavations have shown Stone Age people in Denmark and Switzerland enjoyed them immensely, as shown from the evidence of seeds in those sites.

Early Strawberry History

What we would recognize as alpine strawberries were first domestically cultivated in ancient Persia, where they were considered delicacies fit only for royalty. As often happens, seeds made their way both east and west through trade along the Silk Road route, becoming widely grown and loved.

The Roman poet Virgil named the strawberry in works about country life, associating it with other wild fruits and citing the beauties of the fields in his third Ecologue. During the same period Ovid mentions the mountain strawberry in his description of the Golden Age in book one and again in book thirteen of his Metamorphoses narrative. Pliny is considered the last of the ancients to write of the strawberry, listing “Fraga”, the strawberry fruit, as one of the natural products of Italy in the twenty first book of his Natural History series.

From the 10th century until the early 19th, alpine strawberries were hugely profitable, highly regarded and very well known. After suffering from some mis-informed bad publicity in the mid-1100s, alpine strawberries became quite popular in religious paintings beginning in the late 1300s – often associated with Mary and the Baby Jesus in illuminated manuscripts and paintings. The Catholic Church and royal families from Italy, France, England and Germany were responsible for much of the promotion of the alpine strawberry as they tasted and fell in love with it.

A few excellent examples are located in the School of Cologne in Germany. “The Madonna of the Roses”, “The Garden of Paradise” and the “Madonna among the Strawberries” all portray the Madonna as a young girl in a closed garden with the infant Jesus in her lap. She is surrounded by roses, thistles, carnations, lily of the valley, iris, primrose and the entire plants of the alpine strawberry, showing its tiny, prolific red fruit and white five petal flowers along with its toothy leaves. The alpine strawberries are painted botanically correct and are exact, perfect replicas of what we see today. They are always portrayed in a place of honor and importance, reflecting the standing they held in elevated society of the day.

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