Chefs’ Picks

By Staff
Published on October 1, 2004
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Culinary herbalist Susan Belsinger says life goes better in the kitchen with a mezzaluna, mortar and pestle, and a wooden cutting board.
Culinary herbalist Susan Belsinger says life goes better in the kitchen with a mezzaluna, mortar and pestle, and a wooden cutting board.
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Ask a true cook to describe his or her favorite
kitchen companions and you’re sure to hear enthusiastic prose
extolling the virtues, not of people, but of gadgets, gear and
great cookbooks. Not fooled by pretty faces, experienced cooks
require from their trusted servants one quality above all: an
enduring practicality. Does it work? Is it truly useful? Is it
durable enough to stand up to years of kitchen wizardry without
letting us down? Are its recipes alluring enough to coax us back
between its covers time and again? We asked a few of our favorite
cooks to tell us about their best kitchen friends. Their stories
follow, and we’d love to hear your stories as well. See Page 43 for
details on how you can share your stories with us.

The most important thing to a cook, other than
quality ingredients, is a good sharp knife and a large wooden
cutting board. It surprises me how many people have dull knives
(which are more dangerous than sharp ones) — and no wonder if
they’re using one of those pebbly glass cutting boards — which are
hard to cut on and dull the blades of knives. Although they have
pretty designs, I use mine for trivets.

Being a culinary herbalist, I use two tools all of the time and
truly love them. In fact they travel with me, to herb
demonstrations, lectures and classes. They are the mezzaluna and
the mortar and pestle.

I was first introduced to the mezzaluna when I lived in Italy
nearly 30 years ago. Mezza means half and luna means moon in
Italian, and this tool is a half-moon shaped knife blade with two
handles at either end. It is just the tool for chopping and mincing
small or large quantities of herbs and garlic. I use mine every
day. I also chop with my chef’s knife, but I like using the
mezzaluna to chop herbs, garlic and nuts. I am good at it, after so
many years of using it, and I must admit I make it look easy. I
encourage those in the audience to come try it — it is easy to get
the knack of it — after a few times using it, you find your own
rhythm.

It is also a wonderful tool for children to use, since they
cannot get their fingers under the blade because they have to hold
onto the two handles. I am certain of the kind of mezzaluna that I
like — there are a number of them on the market now — and some I
find cumbersome or inadequate. I don’t like the small ones that
come with little round bowls to chop in. They inhibit the cook, and
the bowl is so small that herbs fly out all over the place. I like
to use mine on a cutting board where I have room to rock and roll.
I also don’t like the two-bladed ones very much since herbs and
pieces of garlic or nuts get stuck in between the blades. A recent
introduction is a one-handled mezzaluna that has a handgrip over
the blade. I find it awkward and can’t get the same rocking motion
with this style and would rather use a chef’s knife.

I have a few antique mezzalunas hanging in my kitchen that are
just for show, and I have two Italian ones that get a workout. They
have stainless blades, wooden handles and measure 8-inches and
10-inches. I use the larger one most often, and the smaller one I
bought for my children when they were little. I think I paid about
$25 and $30 for them, but that was a few years back. I sharpen mine
on a stone, and they should last a lifetime.

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