Learn about a few readers who set examples with their actions. Including an expert in traditional tartans, a school of environmental activists and more.
Rather than see the craft die, Dan Wallace bought a musical saw company.
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And (perhaps remembering the place where she'd originally been exposed to the art of working with wool) Graham eventually developed a special interest in the precise designs of Scottish tartans. Experience soon taught her to maintain an exact thread count of each color throughout the tartan-making process, in order to produce an authentic pattern.
Then, in 1977, when Graham was 72, she traveled to Comrie, Scotland to demonstrate her craft to summer visitors at the Museum of Scottish Tartans. One of her greatest accomplishments during that sojourn was the recreation of the great-granddaddy of all tartans, the Falkirk, which Graham wove with fleece obtained from local sheep. (The sole surviving piece of original Falkirk fabric — which was found stuffed in a jar of Roman coins dated 250 A.D. — is about the size of a quarter.)
Graham and her late husband chose to spend their retirement years in the hills of northern California because it reminded them of the Scottish countryside they'd both come to love. Now, high above the blue Pacific, Graham helps prove, with her handicraft, that the simple arts are not forgotten. — Jan Mitchell.
"I recalled that my grandfather had once owned a musical saw," says Dan. "And since I thought it would be just the thing for someone with a business like mine, I sent off for one."
When Wallace received his instrument in the mail, he recognized it as the same make of tool as his grandfather had bought back in 1922. Intrigued, Dan got in touch with the firm's founder, Clarence Mussehl, and the two struck up an immediate friendship. Clarence, who was in his 80s at the time, confided in Dan that he didn't want the business to fold when he could no longer run it. So, shortly before Mussehl's death in 1978, Wallace purchased the company.
Dan's job as a pilot has enabled him to visit "sawyers" all over the country, to attend the annual Musical Saw Festival in Santa Cruz, Calif., and to play the instrument at various functions. Back home in Delavan, though, Wallace is content to market his melody-makers at a slow but steady pace.
"My primary purpose here," says Dan, "is to keep the musical saw business alive in memory of Clarence Mussehl." — Clarice L. Moon
Interested members of the community donated plans and materials and the youngsters collected, washed and sorted hundreds of aluminum cans. Then, with the help of nine of their school's vocational students, the boys worked an hour and a half every day from March 20 to May 19, 1981, when they completed the structure. The result was a mass of aluminum can halves, painted black to increase heat absorption and nailed together inside an insulated, glass-covered frame. When the temperature in the solar heater reaches 120 degrees Fahrenheit, a thermostat activates a fan, which sends warm air through two 25-foot insulated ducts that stretch from the solar chamber to the pupils' classroom window.
And what's in the future for these budding solar builders? Well, the boys have already suggested that they construct a collector which would store energy, for use when needed as well as a greenhouse to be warmed with the heat produced by their completed unit! — Donna Freedman.
Ten years ago Michael Ames established Trade AmericanCard, an enterprise which has grown into a network of some 2,000 business and professional individuals who accept barter exchanges. Participants purchase goods and services by charging them on their TAC credit cards, and all such transactions are logged into a computer. Credits can be spent and debits can be paid through barter with any TAC member. Ames's company makes its own profit by imposing an 8 percent surcharge on all purchases while a $150 initial membership fee pays the firm's three salespeople who bring new businesses into the system. — JV.
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