Could a windmill’s ability to “derive maximum benefit out of the site-specific gift nature is providing — wind and open space,” in the words of aesthetician Yuriko Saito, help Americans bridge the divide between pristine landscapes and sustainable ones? Could windmills help Americans subscribe to the “higher order of beauty” that environmental educator David Orr defines as something that “causes no ugliness somewhere else or at some later time”? Could acceptance of wind farms be our generation’s way of avowing our love for the next?
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