Reader demand for form information about dulcimer instruments prompted the author to devote this installment of his regular column to the topic.
Although a fan of dulcimer instruments, writer and down-home musician Marc Bristol often as not chooses to play guitar when performing at local music festivals.
PHOTO: BRENT THORGREN
Even homesteaders need to relax and enjoy themselves from time to time, right? And almost everybody these days wants to cut his or her cost of living. So how about a little do-it-yourself entertainment?
That's what this column is about. Homegrown music... and sometimes homemade musical instruments to play it on.
When I covered the subject of dulcimers in "Dulcimer Instrument Appreciation," I thought it might result in a popular article. Well, the many responses that you've sent to me—and to those folks in the dulcimer instrument business whom I referred to in the column—certainly proved me correct on that score, so I'm plunging right in with some more tidbits I've gathered since that article was written.
Actually, I'm going to start this column with a discussion
of hammered dulcimers: large, many-stringed
musicmakers—played with small stick-like hammers—which are
really quite different instruments from smaller,
three- or four-stringed Appalachian "lap" dulcimers. (Well, the two instruments aren't
completely different. They do both belong to
the zither family.)
The name "dulcimer" has been associated with the hammered variety since biblical times, but has been applied to the smaller, fretted instrument for only around the last 200 years. Since the word literally means "sweet tune"—and both instruments do, indeed, produce mellifluous tones—perhaps some old mountaineer plucked the instrument title out of the Good Book and attached it to the Appalachian melody-maker.
The large hammered music box is a forerunner of the piano, but the pounding pieces that strike its strings are held in the player's hands instead of being built into the instrument's body and mechanically operated. Many countries throughout Europe and Asia have traditional versions of the hammered dulcimer—and a great many styles of music are played on them—but the basic form of ancient "sweet-tuner" is nothing more than a trapezoidal sound box that has several groups (or "courses") of strings passing over a support (or side bridge) at one end of the instrument, across an off-center bridge, and over another support to the other end. (Some dulcimers have two central bridges, the second being used to carry an extra set of bass strings.) The midbridge is a distinctive trait of the hammered dulcimer, and distinguishes the instrument from its ancestor, the psaltery.
A homemade hammered dulcimer can be built from scraps of dimensional lumber and plywood. You will probably need to purchase tuning pegs (old piano pegs will work fine), a tuning wrench (a hardware store "tapping chuck" should serve the purpose), and a supply of No. 7 or No. 8 music wire (it's available from most music stores, hobby shops, and mail order music supply houses). In addition, you can expect to get superior tone from the finished instrument if you build its top—the sounding board—from a good piece of spruce.
The dulcimer's top and back are simply secured with a good wood glue, then nailed in place. (Be sure to avoid putting any of the metal fasteners where the tuning pegs will later be installed.) Each string is wrapped three or four times around a tuning peg, laid over the offcenter bridge, looped around a hitch pin on the opposite side, and then run back to another peg on the original side. Every wire then forms two strings, and each pair will give one note on the right side of the main bridge and another (a fifth higher) on the left side of the divider.
One standard tuning for a 12-course hammered dulcimer—running from low notes at the bottom of the instrument to high ones at the top—is G#, A, B, C# (this is the C# just above middle C), D, E, F#, G, A, B, C, and D on the left side of the bridge, and C#, D, E, F#, G, A, B, C, D, E, F, and G on the right side of the bridge. You'll have to adjust the new instrument several times, over a period of days, before it'll "settle down" and stay in tune.
A prominent hammered dulcimerist, Sam Rizzetta, has written a construction guide, "Making a Hammered Dulcimer" and a publication called "Hammer Dulcimer: History and Playing." Both documents are available—free for the asking—from the Smithsonian Institution.
Many companies offer kits for building hammered dulcimers, too. Ray Mooers, of the Dusty Strings Dulcimer Company, dropped in one day recently and showed me his firm's two basic models of sweettuners (one single-bridged and the other double-bridged). Both are available as kits that need only sanding, finishing, and stringing. Prices start at $165, and the package comes complete with an owner's guidebook. Additional options can be ordered at extra cost. For example, a basic kit with a spruce soundboard costs $195. You can write for a free catalog to Dusty Strings Dulcimer Company.
Moving back to the lap dulcimers, I'm pleased to report that there was considerable
response to my mention of the cardboard dulcimer kits sold
by David Cross of Backyard Music. David's moved since I
wrote that column and—judging from some of my
correspondence—not all of his mail has been
forwarded, so here's his website: Backyard Music.
While resting between sets with the Okie Doke Band at a local energy fair, I met Hank and Robin Levin of Smoggy Mountain Dulcimers, which is a company that makes just one product: an Appalachian dulcimer kit. As you can imagine, the couple have perfected that item and make every attempt to be competitive in price and quality with the other do-it-yourself dulcimer packages on the market. The Smoggy Mountain kit is called the "Tennessee Teardrop" and features a cherry body. No special tools or skills are required to assemble the instrument (the parts are already cut and bent to shape). The package includes a simple, well-illustrated instruction sheet. When you're done you'll have a full-sized, four-string mountain dulcimer for only $48 postpaid, a price that even includes the glue!
I'm also happy to tell you that Rose LeClere and David Johnston (at Black Mountain Instruments) have gotten such a great response to my mention of their lap dulcimer kit that they've decided to offer discounts to the readers of the Homegrown Music column: 25% off a kit's price, and 20% off the cost of a case. You can't beat a deal like that! Black Mountain's basic kit—which I listed before as costing $53—is a bit fancier than Smoggy Mountain's (for one thing, it has a spruce top), but it does produce a smaller instrument. For more information, contact Black Mountain Instruments.
Another valuable resource for lap dulcimer builders is an Oak Publication book, Jean Ritchie's Dulcimer People. Much of the volume is devoted to providing information about the tradition of the fretted instrument, as well as about some of the different playing styles in Jean's "extended dulcimer-playing family." It also includes some instruction provided by Hank Levin (a member of that family) on how to build an instrument from scratch, which might be of great assistance to anyone assembling a lap dulcimer kit as well. The entire book is a fine acquisition for folks interested in the Appalachian dulcimer. Oak also carries The Hammered Dulcimer.
Well, once you've mastered your dulcimer playing
skills—on either kind of instrument—and you're
ready to make the whole world sing, where should you head?
My advice is to set out for Winfield, Kansas, which
hosts the annual National Flatpicking Championships.
The event includes separate contests for both hammered and
mountain dulcimers, as well as for fingerpicked guitar,
bluegrass banjo, mandolin, fiddle, and autoharp.
This year's festival—from September 17 through 20—will be the tenth anniversary of the championships. Attendance is limited, so advance tickets are a must.
If you like tub bass and washboard playing, western swing, and/or rockabilly, you might enjoy our long-awaited (well, by me, at any rate) Okie Doke Band record, a seven-inch LP that includes "Snake-Charmin' Baby", "Coot From Tennessee", "Milk Cow Blues", and "Let's Boogie." Our group, by the way, packages the small disks in the plastic sleeves used by collectors of old 45's—and we include an attractive folded insert—so the well-protected records now look pretty slick to boot! If you'd like to see our new mini-album (and, of course, listen to four of our favorite tunes), you can order the Okie Doke Band record for $4.00 (postpaid) from King Noodle Records.
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