Reading the Earth
A new approach in tracking mammals, including lessons, trackers dictionary, identifying tracks, signatures.
January/February 1989
By David Wescott Illustrations by Wayne McLaughlin
A new approach to the art of tracking mammals.
Blest with a Magic Power is he,
Drinks deep where others sipped;
And Wild Things write their lives for him
In endless manuscript.
-Ernest Thompson Seton
("The Trailer")
YOU WAKE ON AN UNNATURALLY bright winter's morning and, squinting, peer out your bedroom window. As unexpected as enchantment, a half-foot of snow has fallen while you slept, and you're fairly pulled out of bed by the childish urge to be the first to mark the clean white sheet that's settled over your yard. Ignoring coffee for once, you dress quickly, fired by the adrenaline high of dramatic weather, and rush outside . . . only to find that smaller feet have written where you'd hoped to scratch your name. Put your petty disappointment aside; here's the chance to go to school on what master naturalist Ernest Thompson Seton called "the oldest of writing",tracks.
Lesson One
Just as almost anyone can, in time, learn to read the written word, so can anybody master the vocabulary, sentence structure and skill of tracking if he or she is willing to put in enough time and effort.
The place to start is just beyond your doorstep. Take the time to observe the animals that you later hope to track, starting with those that you can count on having around. Your dog, cat or resident squirrel will, as you, watch it, provide invaluable information as to how it moves, and why. More important, when you can watch a track being made before looking at the results, you immediately move from the role of novice observer of prints to that of educated interpreter; you can actually watch behavior and action transferred to symbol.