SPORTS PHOTOGRAPHY
A professional cameraman shares the secrets of an exciting, do-it-yourself business, including the darkroom, group processing, at the event, how to sell and what to charge.
May/June 1981
By John Messineo
A professional cameraman shares the secrets of an exciting, do-it-yourself business:
RELATED ARTICLES
The Energy Policy Act of 2005 makes home energy improvements more affordable through tax credits....
The most recent federal energy legislation ? the Energy Policy Act of 2005 ? makes home energy impr...
The time is running out on this powerful financial incentive....
A tour of national scenic trails, including: Appalachian, Continental Divide, Nachez Trace, Potomac...
Now that most of us are finished filing our 2006 taxes, it's time to think about more ways to save ...
If you'd like to work for yourself and you have a knack for shutterbugging, sports photography may be just the job you're looking for.
Now I don't mean you should run out and try to sell free-lance work to national athletic publications. (Oh, you may land an occasional sale with a magazine or paper ... but such chancy earnings aren't likely to keep the larder filled with ham and eggs.) Nope, I'm talking about snapping—and developing—pictures to be sold at sports events, to the photographed competitors themselves!
Peddling such contest "portraits" can bring in from $100 to $200 for a pleasant day's work. And (since most sports happenings occur on Saturdays and Sundays) you can use photography as a parttime business, or—if you like to travel—actually build up a circuit of events to memorialize . . . and spend your weekdays leisurely exploring the country-side as you travel to the next activity.
There's no end to the sports you can photograph, but I've found that the best "markets" feature individual—rather than team—competition. Have a look at the numbers: One Little League baseball game may require 20 or so photogenic young players . . . while a midsized rodeo will attract over 200 "camera eligible" entrants! So the real money's in those "solo" sports that attract lots of participants: motorcycle contests, horse shows, marathon races, winter ski carnivals, tractor pulls, skeet shoots, hang gliding events, whitewater races, frisbee meets . . . or anything else you can find!
And—believe me—"there's gold in them thar sportin' hills"! Take my previously mentioned 200-competitor sam e pie rodeo, for instance. If you sell each of just 30 broncobusters a single $4.00 action print, you'll gross a respectable $120. What's more, with good camera work, you'll often market a lot more shots. (At some small rodeos I've sold at least one picture to each competitor!)
The point is that you can make decent money in sports photography if you have good sales volume. And there are two main ingredients necessary for inspiring a large number of purchasers: quality and time. You'll need to do good photo graphic work . . . and do it quickly.
A GOOD CARPENTER CREDITS HIS TOOLS
In order to turn out a consistent, professional photo product, you'll have to have a suitable camera and quality developing equipment. The "snapper" itself should be that old standard of the field: the 35mm single lens reflex camera. Such a film shooter (which can be had for $100 used—or $160 new—and up) will be fully capable of handling fast action sports shots . . . as long as it has an interchangeable lens option anal can be set at a fast 1/1000 of a second shutter speed.
Page: 1 |
2 |
3 |
4 |
5 |
Next >>