Four Arguments for the Elimination of Television
(Page 10 of 13)
September/October 1979
By the Mother Earth News editors
One can imagine the emergence of a new psychological syndrome: "sensory schizophrenia." The cure will involve exercises to resynchronize wildly confused senses with each other, with the mind, and with the world.
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Because of all the preceding it ought to go without saying that any messages that are dependent upon sensory understanding and interaction are not going to work on television.
This is very unfortunate for the ecology movement.
It always surprises me whenever any attempts are made to show wilderness or wildlife on television. The fuzzy image previously described is the first problem forests become an ocean depths are impossibly foggy, the details of a plant are impossible to see. So the viewer depends on the voice-over to know what's going on. Because of the blur, naturalist programs focus on such objective behavior as playing, fighting, mating, eating, just as they do with human sitcoms and soap operas. There are more animal programs than plant programs because animals come through better on the fuzzy medium, and the larger and more ramburictious the animal the better.
But even if TV images were not as coarse as I have described them, there would still be no way to understand a forest or swamp or desert without all the senses fully operative, receiving information in all ranges, and freely interacting with each other.
An interesting recent illustration of the problem was a news feature concerned with a decision that a town council had to make. A land developer sought a permit to convert a large marsh area &to a new community of homes. Should the permit be okayed.
It was quite a thorough-going, earnest report. Considering the subject, not ordinarily conceived as "good television" by producers, it was also an extraordinarily lengthy report, about eight minutes of an evening newscast.
The report presented interviews with the council members, interviews with the developer, and interviews with a local conservation group that opposed the project. It presented several Minutes of images of the plants in the marshland, flocks of birds, nesting grounds, all with the appropriate wild-sounding calls.
Having worked as a publicist for many years, in fact, as a publicist for environmental groups, I knew how much work the environmentalists had put into this program and how important they felt it to be. In the end, though, I knew they had failed no matter how this particular vote came out, because if there is anything which cannot be conveyed on television it is a feeling for a marsh. I suspected that the result of the program would be to decrease concern for marshes.
The great majority of viewers watching that program had never visited this marsh or any marsh. These images and words about marshes were probably more than they had ever seen or heard before. Since the news report told them interesting things they did not know—how many varieties of creatures lived there, for example—they may have considered it quite a complete story. In terms of popular media, indeed it was. However, while the viewers knew more than before, they were not likely to be aware of what they did not know and were not getting. As the images of the marsh went hurtling into their brains, accompanied by a news reporter's description of an egret nesting ground, they
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