Weave with a Hand-Built Loom
Making more that pot holders, including materials, warping the frame, plain weaves.
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1.Michelle warping her homemade frame. 2.The shed stick picks up every other strip on a prefab frame and separates them to form the ""shed."" 3.Judy and Michelle ru.n the shuttle throw the warp.
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Handworks
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Michelle Silver picks up the
weaving habit again and discovers a new world beyond the
grammar-school pot holder.
Weaving, the interlacing of two materials, is one of the
oldest skills in the world. It's done by holding one set of
parallel threads so that you can cross a second set of
threads over and under the first set to form a fabric.
How much time and money you spend is entirely up to you. As
a beginner, I made my own frame loom, bought some cheap
yarn, and was on my way for under $10.
Professionals may spend as much as $3000 on a loom, an
apparatus that speeds up the over-and-under process by
raising the preselected threads. Exotic mohair and silk
yarns can cost as much as $10 an ounce. There is even a
computer program now, called Combby 8, that allows you to
design your own pattern and transmit it to your loom; it
will automatically pick up all of the threads you selected
for your individual pattern.
"Have you ever woven before?" Judy Steinkoenig asks. She's
the co-owner of a local weaving shop and my instructor.
Sure I'd woven. There was the set of square pot holders I
made in grade school. And shortly thereafter, I bought
myself a weaving kit complete with fabric ties and plastic,
red loom. It wasn't long before I filled the kitchen with a
colorful assortment of more useless pot holders. Within a
few weeks, Mom ceased being impressed, and I didn't know
what else to make, so I threw away the loom and retired
early.
Judy swears she never once made a pot holder. In fact, she
never even tried weaving until she was married and home
rais ing her one-year-old son. She was in dire need of a
hobby when she discovered a local weaving course.
"I had tried pottery and cross-stitching, but everything
called for specific patterns," Judy says. "My grandmother
tried to teach me to knit and ended up telling me I was
hopeless. I just didn't understand it and there was no
freedom in it for me. Weaving was a craft I understood, and
I found I could make wonderful things."
Her favorite advice is: "Be a kid. A lot of adults will ask
me how their projects are going to turn out if they do such
and such. I'll tell them I don't know, try it; find out.
Kids are much more willing to experiment. They'll change
their weaving patterns all the time, and they're not as
tough on themselves when they make mistakes."
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