Four Arguments for The Elimination of Television
What's the matter with our modern, technologically based
society anyway? Why isn't it more satisfying? Why do so
many of us now feel that some vague something hounds us and
diminishes us and makes us into something less than we
should be? Most specifically of all, do we really use
television—and so many other "benefits" and "tools"
of our technological age—or does it use us? Jerry
Mander (see photo) speaks the unspeakable and asks the
unaskable in a remarkable new book that will be completely
serialized in this magazine. The first of these
installments follows.
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From Four Arguments for the Elimination of Television by
Jerry Mander, copyright © 1977 6y the author.
Reprinted with the permission of William Morrow and
Company, Inc. Available in paperback for 14.95 from any
good bookstore or for $4.95 plus 95¢ shipping and
handling from Mother's Bookshelf, P O. Box 70,
Hendersonville, North Carolina 2739.
INTRODUCTION
THE BELLY OF THE BEAST
If this book has any basis in "authority," it lies in the
fifteen years I worked as a public relations and
advertising executive. During that time, I learned that it
is possible to speak through media directly into people's
heads and then, like some otherworldly magician, leave
images inside that can cause people to do what they might
otherwise never have thought to do.
At first I was amused by this power, then dazzled by it and
fascinated with the minutiae of how it worked. Later, I
tried to use mass media for what seemed worthwhile
purposes, only to find it resistant and limited. I came to
the conclusion that like other modern technologies which
now surround our lives, advertising, television and most
mass media predetermine their own ultimate use and effect.
In the end, I became horrified by them, as I observed the
aberrations which they inevitably create in the world.
Adman Manque.
In retrospect, I can see that an absurd little revolt
against my family led me into advertising work. My parents
wanted me to choose a profession or to take over my
father's business. They felt that while advertising was
already a lucrative field by the time I was seeking a way
into it in the late 1950s, it was still very chancy for
Jewish boys. They were certainly right about that. Directly
out of the Wharton School of Business and then Columbia
Graduate Business School, I was denied a job in a Park
Avenue ad agency because "your hair is a little kinky: you
might want to try Seventh Avenue." Seventh Avenue was what
I was fleeing.
My parents carried the immigrants' fears. Security was
their primary value: all else was secondary. Both of them
had escaped pogroms in Eastern Europe. My father's career
had followed the path familiar to so many New York
immigrants. Lower East Side. Scant schooling. Street
hustling. Hard work at anything to keep life together.
Early marriage. Struggling out of poverty.
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